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Vous avez sélectionné:
No B.I.G. Deal
Partitions à imprimer
7 partitions trouvées
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1
No B.I.G. Deal (B Flat)
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1019551 Composed by Jarohn Grandsta…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1019551 Composed by Jarohn Grandstaff. Hip-Hop,Jazz. Score and parts. 1 pages. Jarohn Grandstaff #3573059. Published by Jarohn Grandstaff (A0.1019551). A swingj/hip hop jazz tune inspired by a popular 90's hip hop song by the Notorious B.I.G. Advanced-intermediate students will enjoy the challenge of improvising on a higher skill level over a pop chord progression. As seen in the leadsheet, the tune is medium to medium up swing, but performers are encouraged to also have a little fun and incorporate hip hop as well (i.e. alternate between swing and hip hop each time through the form). To hear a full demonstration of the tune, please visit the following link:https://soundcloud.com/jngrand/no-big-dealFor questions or comments about the tune, please contact the following:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$3.00
2.77 €
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Jazz combo
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Jarohn Grandstaff
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No B.I.G. Deal
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Jarohn Grandstaff
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SheetMusicPlus
No B.I.G. Deal (E Flat)
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1019552 Composed by Jarohn Grandsta…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1019552 Composed by Jarohn Grandstaff. Hip-Hop,Jazz. Score and parts. 1 pages. Jarohn Grandstaff #3573061. Published by Jarohn Grandstaff (A0.1019552). A swingj/hip hop jazz tune inspired by a popular 90's hip hop song by the Notorious B.I.G. Advanced-intermediate students will enjoy the challenge of improvising on a higher skill level over a pop chord progression. As seen in the leadsheet, the tune is medium to medium up swing, but performers are encouraged to also have a little fun and incorporate hip hop as well (i.e. alternate between swing and hip hop each time through the form). To hear a full demonstration of the tune, please visit the following link:https://soundcloud.com/jngrand/no-big-dealFor questions or comments about the tune, please contact the following:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$3.00
2.77 €
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Jazz combo
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Jarohn Grandstaff
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No B.I.G. Deal
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Jarohn Grandstaff
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SheetMusicPlus
No B.I.G. Deal
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1019550 Composed by Jarohn Grandsta…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1019550 Composed by Jarohn Grandstaff. Hip-Hop,Jazz. Score and parts. 1 pages. Jarohn Grandstaff #3573057. Published by Jarohn Grandstaff (A0.1019550). A swingj/hip hop jazz tune inspired by a popular 90's hip hop song by the Notorious B.I.G. Advanced-intermediate students will enjoy the challenge of improvising on a higher skill level over a pop chord progression. As seen in the leadsheet, the tune is medium to medium up swing, but performers are encouraged to also have a little fun and incorporate hip hop as well (i.e. alternate between swing and hip hop each time through the form). To hear a full demonstration of the tune, please visit the following link:https://soundcloud.com/jngrand/no-big-dealFor questions or comments about the tune, please contact the following:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/.
$3.00
2.77 €
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Jazz combo
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Jarohn Grandstaff
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No B.I.G. Deal
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Jarohn Grandstaff
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SheetMusicPlus
Dwarves, Op. 10
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.742984 Composed by Ian Deterlin…
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Full Orchestra - Level 4 - Digital Download SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00
55.33 €
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Orchestre
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Lost Boy
Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arran…
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Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
1.84 €
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
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